critical reflections
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Thomas Deckker Architect: temporary truck stop, M20
Lorry Drivers are human, too
2021
Marc-Antoine Laugier: Essai sur l'Architecture
John Onians: ‘Architecture, Metaphor and the Mind’
2021
Sir John Vanbrugh: Seaton Delaval, Northumberland (1720–28) from Colen Campbell: Vitruvius Britannicus vol 3 (1725)
Seaton Delaval: the aesthetic castle
2021
Jules Hardouin-Mansart: Les Invalides, Paris (1676) Section showing the double dome
The Temple of Apollo at Stourhead: architecture and astronomy
2021
Eric de Maré: Fishermen’s’ huts, Hastings (1956) © Architectural Press Archive / RIBA Library Photographs Collection
Eric de Maré: The Extraordinary Aesthetics of the Ordinary
2021
Iannis Xenakis: score for Syrmos, for string orchestra (1959) © Editions Salabert E. A. S. 17516
Iannis Xenakis: Music, Architecture and War
2021
United Visual Artists: Etymologies 2017 © United Visual Artists
United Visual Artists
2020
Margaret Howell: Campaign 2020 © Margaret Howell
Margaret Howell
2020
Palaces of Darius and Xerxes, Persepolis, Iran
The Plans of Antiquity
2020
Cristobal Balenciaga: Skirt Suit, 1964 © Victoria and Albert Museum, London
Cristobal Balenciaga
2020
Mathias Goeritz: La serpiente de El Eco, 1953 © Sothebys
Mathias Goeritz: 'Emotional Architecture'
2020
Richard Serra: Weight and Measure 1992 © Richard Serra
Weight and Measure
2020
Tony Smith: Playround, 1962 © Tony Smith Estate
Art and Experience
2020
Highway Construction © Caterpillar Archives
Landscape and Infrastructure
2020
Frank Gohlke: Lightning Flash, Lamesa, Texas © Frank Gohlke
Grain Elevators
2020
Highway Construction © Caterpillar Archives
Highway Construction
© Caterpillar Archives
Landscape and Infrastructure
Growing up in a small town in northern Canada in the late 1960s, when there was substantial investment in infrastructure, I was aware how construction machinery could acquire both a public and a symbolic presence. Construction machinery could be seen both as heroic machines conquering the landscape in the prairies and as everyday objects that were sold in dealerships, like any other household necessity, in the city centre.

The extensive programme of road building opened up the prairies to easy travel. Highways seemed to represent and embody a new relationship between landscape and architecture, mediated through construction machinery. This was a novel aesthetic experience. The celebrated American artist Tony Smith broke into the unopened New Jersey Turnpike one night to experience the aesthetic of modern roads.

Of course the enthusiastic extension of highways and easy travel into city centres degraded them, as was later realised, but at the time highways seemed to bring only benefits. By the time I was aware of highways as a child the revolt against them was well underway - by Jane Jacobs among others.
Promotional Photograph © Caterpillar Archives
Promotional Photograph
© Caterpillar Archives
I have maintained a fascination for tractors but now think of them as being subject to weather and time, rather than as heroic.
Tractor, Norfolk Coast photo © Thomas Deckker 2018
Tractor, Norfolk Coast
photo © Thomas Deckker 2018
Thomas Deckker
London 2020