critical reflections
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critical reflections

Jacques Lemercier: Richelieu, Indre-et-Loire, 1631 engraving by Adam Perelle
Two Renaissance Towns: Two Seasons
2024

Granary, Grimentz, Valais, Switzerland, 16th century © Thomas Deckker 2023
Was Vitruvius Right?
2024

Aurelio Galfetti: Castelgrande, Bellinzona 1986 © Thomas Deckker 1996
Two Castles in Switzerland
2023

Nouveau plan de la ville de Paris 1828 © David Rumsey Maps
The Arcades Project
2023

Derelict Building, Kings Cross photo © Thomas Deckker 1988
Henri Labrouste and the construction of mills
2023

Claude-Nicolas Ledoux: Barriere St Martin, Paris (1785-1790) from Daniel Ramee: C.N. Ledoux, l'architecture (Paris 1847)
The Barriere de la Villette: the Sublime and the Beautiful
2022

Vauban: Neuf Brisach
Neuf Brisach: The Art of War
2022

Lucio Costa: Competition sketch for the Esplanada dos Minsterios, Brasilia 1956
Did Lucio Costa know the Queen Mother?
2022

Vaux-le-Vicomte, Entrance Court, engraving by Israel Sylvestre
Vaux-le-Vicomte: Architecture and Astronomy
2022

Edzell Castle, Ground Floor Plan, from MacGibbon and Ross: The Castellated and Domestic Architecture of Scotland
Edzell Castle: Architecture and Treatises in Late 16th Century Scotland
2022

Capability Brown: Plan for Petworth Park from Dorothy Stroud: Capabilty Brown
The Upperton Monument, Petworth
2022

Isamu Noguchi: maquette for Riverside Drive c. 1961
Isamu Noguchi: useless architecture
2022

Juergen Joedicke: Architecture since 1945: sources and directions (London: Pall Mall Press 1969)
Gottfried Boehm: master of concrete
2021

Thomas Deckker Architect: temporary truck stop, M20
Lorry Drivers are human, too
2021

Marc-Antoine Laugier: Essai sur l'Architecture
John Onians: 'Architecture, Metaphor and the Mind'
2021

Sir John Vanbrugh: Seaton Delaval, Northumberland (1720-28) from Colen Campbell: Vitruvius Britannicus vol 3 (1725)
Seaton Delaval: the aesthetic castle
2021

Jules Hardouin-Mansart: Les Invalides, Paris (1676) Section showing the double dome
The Temple of Apollo at Stourhead: Architecture and Astronomy
2021

Eric de Mare: Fishermen's huts, Hastings (1956) © Architectural Press Archive / RIBA Library Photographs Collection
Eric de Mare: The Extraordinary Aesthetics of the Ordinary
2021

Iannis Xenakis: score for Syrmos, for string orchestra (1959) © Editions Salabert E. A. S. 17516
Iannis Xenakis: Music, Architecture and War
2021

United Visual Artists: Etymologies 2017 © United Visual Artists
United Visual Artists
2020

Margaret Howell: Campaign 2020 © Margaret Howell
Margaret Howell
2020

Palaces of Darius and Xerxes, Persepolis, Iran
The Plans of Antiquity
2020

Cristobal Balenciaga: Skirt Suit, 1964 © Victoria and Albert Museum, London
Cristobal Balenciaga
2020

Mathias Goeritz: La serpiente de El Eco, 1953 © Sothebys
Mathias Goeritz: 'Emotional Architecture'
2020

Richard Serra: Weight and Measure 1992 © Richard Serra
Weight and Measure
2020

Tony Smith: Playround, 1962 © Tony Smith Estate
Tony Smith: Art and Experience
2020

Highway Construction © Caterpillar Archives
Landscape and Infrastructure
2020

Frank Gohlke: Lightning Flash, Lamesa, Texas © Frank Gohlke
Grain Elevators
2020

Jacques Lemercier: Porte de Richelieu, Richelieu, Indre-et-Loire, 1631 © Thomas Deckker 1988
Jacques Lemercier: Porte de Richelieu, Richelieu, Indre-et-Loire, 1631
© Thomas Deckker 1988

Richelieu: Winter

Winter, deep France. The land crystalline with frost, the air softened with mist.
Road, Indre-et-Loire, 1986 © Thomas Deckker 1988
Road, Indre-et-Loire, France
© Thomas Deckker 1988
Richelieu, an ideal town from the early 17th century, to accompany the chateau for Cardinal Richelieu. Jacques Lemercier, architecte du roi, austere French classicism. His work in Paris: completing the new courtyard of the Louvre, the Cour Carrée.
Jacques Lemercier: the Cour Carrée, Louvre, Paris (1625-45) based on the original wing by Pierre Lescot (1546-51) © Thomas Deckker 1988
Jacques Lemercier: the Cour Carrée, Louvre, Paris (1625-45) based on the original wing by Pierre Lescot (1546-51)
© Thomas Deckker 1988
The town, only partly constructed anyway, was largely abandoned on the death of Cardinal Richelieu in 1642, leaving it to be occupied as an agricultural hamlet.

The high street no longer grand, the courtyards filled with agricultural implements. The surrounding wall no more than a garden wall, the back streets filled with houses for artisans and workmen.

For the next visit, summer, longer and warmer days. Interiors, seen in Merimée, to be appreciated in real life. Fragments of grand architecture in a rural setting.
Jacques Lemercier: Porte de Richelieu, Richelieu, Indre-et-Loire, 1631 © Thomas Deckker 1988
Jacques Lemercier: Porte de Richelieu, Richelieu, Indre-et-Loire, 1631 © Thomas Deckker 1988
Jacques Lemercier: Richelieu, Indre-et-Loire, 1631
© Thomas Deckker 1988
The two main squares, one with the church and a market hall, are in the form of a quincunx. Curiously Lemercier's other church was at the Sorbonne, the principal intellectual centre of Paris and of France.
Jacques Lemercier: Porte de Richelieu, Richelieu, Indre-et-Loire, 1631 © Thomas Deckker 1988
Jacques Lemercier: Eglise Notre-Dame de Richelieu, Richelieu, Indre-et-Loire, 1631
© Thomas Deckker 1988
The chateau was extraordinarily large and luxurious but did not survive the Revolution. Only an extraordinary fragment remains, with its strange proportions and banded stonework somewhat reminiscent of Ledoux.
Jacques Lemercier: The Orangery, Chateau de Richelieu, Indre-et-Loire, 1631 © Thomas Deckker 1988
Jacques Lemercier: The Orangery, Chateau de Richelieu, Indre-et-Loire, 1631
© Thomas Deckker 1988
Thomas Deckker
London 2024