thomas
deckker
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critical reflections
Edzell: the Paris Interlude
2024
What did Lucio Costa think of China?
2024
The Désert de Retz
2024
Two Renaissance Towns: Two Seasons
2024
Was Vitruvius Right?
2024
Two Castles in Switzerland
2023
The Arcades Project
2023
Henri Labrouste and the construction of mills
2023
The Barrière de la Villette: the Sublime and the Beautiful
2022
Neuf Brisach: The Art of War
2022
Did Lucio Costa know the Queen Mother?
2022
Vaux-le-Vicomte: Architecture and Astronomy
2022
Edzell Castle: Architecture and Treatises in Late 16th Century Scotland
2022
The Upperton Monument, Petworth
2022
Isamu Noguchi: useless architecture
2022
Gottfried Böhm: master of concrete
2021
Lorry Drivers are human, too
2021
John Onians: ‘Architecture, Metaphor and the Mind’
2021
Seaton Delaval: the aesthetic castle
2021
The Temple of Apollo at Stourhead: Architecture and Astronomy
2021
Eric de Maré: The Extraordinary Aesthetics of the Ordinary
2021
Iannis Xenakis: Music, Architecture and War
2021
United Visual Artists
2020
Margaret Howell
2020
The Plans of Antiquity
2020
Cristobal Balenciaga
2020
Mathias Goeritz: 'Emotional Architecture'
2020
Weight and Measure
2020
Tony Smith: Art and Experience
2020
Landscape and Infrastructure
2020
Grain Elevators
2020
Disassembled Boat, National Maritime Museum
photo © Thomas Deckker 1997
Critical Reflections on art, architecture and landscape
An occasional series of comments on art, architecture and landscape.
These interests have explored been explored in my
architectural practice
,
teaching
and
publications
.
Frances Strachan
Landscape:Architecture Project 2011/2012